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This beautifully produced catalog surveys the past thirty years of Ursula von Rydingsvard s immense abstract sculptures, often shaped from cedar beams. Von Rydingsvard's massive sculptures reveal the trace of the human hand and resemble wooden bowls, tools, and walls that seem to echo the artist's Polish heritage. Born in Germany in 1942, she and her family were among the dispossessed forced to move from one refugee camp to another for years after that country's defeat; they eventually settled in the United States. The artist's respect for organic materials and the dignity of labour, and the sense of loss, pain, and persistent memories that inform her work, may be traced back to these formative experiences. Essentially abstract, von Rydingsvard's monumental site-specific work frequently references familiar forms, from mountains to simple tools and bowl-like vessels. The aggressive cuts and delicate lines made by the artist leave an indelible trace of human touch and intention. A selection of process shots, drawings, and views of works in various stages of construction lends additional context and a sense of the process behind the artist's intensely physical and deeply personal art.

Published on the occasion of an exhibition at the Madison Art Center, which traveled to other venues.

Gr.-Oktav. Kritische Friedrich Schlegel Ausgabe, Band 15/1. XLVI, 458 S. Leinen mit Schutzumschlag. Umschlaghinterseite mit 2 kl. Randeinrissen, sehr gutes Exemplar.

This beautifully produced catalog surveys the past thirty years of Ursula von Rydingsvard s immense abstract sculptures, often shaped from cedar beams. Von Rydingsvard's massive sculptures reveal the trace of the human hand and resemble wooden bowls, tools, and walls that seem to echo the artist's Polish heritage. Born in Germany in 1942, she and her family were among the dispossessed forced to move from one refugee camp to another for years after that country's defeat; they eventually settled in the United States. The artist's respect for organic materials and the dignity of labour, and the sense of loss, pain, and persistent memories that inform her work, may be traced back to these formative experiences. Essentially abstract, von Rydingsvard's monumental site-specific work frequently references familiar forms, from mountains to simple tools and bowl-like vessels. The aggressive cuts and delicate lines made by the artist leave an indelible trace of human touch and intention. A selection of process shots, drawings, and views of works in various stages of construction lends additional context and a sense of the process behind the artist's intensely physical and deeply personal art.

This catalogue was publishd on the occasion of the exhibition, Ursula von Rydingsvard, by the Nelson-Atkins Museum of Art, Kansas City, Missouri, and by Yorkshire Sculpture Park, Wakefield West Yorkshire. Many beautiful photographs of the works on display and the artist at work. An interview with Ursula von Rydingsvard and Deborah Emont Scott. A short biography and her vitae are also included.

From one of the most original voices in contemporary American art, more than 20 years of work culminating in grand, abstract ensembles of cedar beams enriched with graphite.

Der Graf Von Luxemburg Lehar / Frankfurt / Baveyan - CD 4260034869684

Symphonic Works: Sym 2-5 / Von Der Groben Weisheit Raphael / Altstaedt / Bpo / Altstaedt - CD 761203756322

This month we are happy to present to you a great Passion oratorio that Johann Sebastian Bach in all likelihood pieced together for his last Passion service. He took a work by Carl Heinrich Graun, a composer whom he admired, and expanded it to produce a magnificent two-part Passion. To it he added compositions of his own authorship and others by his friend Georg Philipp Telemann. The result was a pasticcio, a new work consisting of various set pieces. This practice was very common during Bachs

Mahler: Das Lied Von Der Erde (IMPORT) Mahler / Bernstein, Leonard - CD 4988031185629

Das Lied Von Der Erde Michael Tilson Thomas - CD 821936001929

Der Barbier Von Bagdad Ferdinand Leitner - CD 881488803754

Carl Maria von Weber's dark Romantic era tale of love, faith, and temptation is grippingly performed by the Dresden Staatskapelle led by conductor, Christian Thielemann in this live DVD performance from early 2015. With highly acclaimed staging by Axel Khler, the singers in leading roles add to the luster of the production with the tenor Michael Knig's performance of the anti-hero Max displaying a gloriously free upper register bringing heroic weight to his role and Sara Jakubiak sweet toned a

Carl Maria von Weber's dark Romantic era tale of love, faith, and temptation is grippingly performed by the Dresden Staatskapelle led by conductor, Christian Thielemann in this live DVD performance from early 2015. With highly acclaimed staging by Axel Khler, the singers in leading roles add to the luster of the production with the tenor Michael Knig's performance of the anti-hero Max displaying a gloriously free upper register bringing heroic weight to his role and Sara Jakubiak sweet toned a

Dals Lied Von Der Erde Sym No. 4 & No. 9 Fritz Reiner - CD 8051773571473

Starring Paul Groves, Thomas Hampson.

The operas of Siegfried Wagner, first son of Richard Wagner and grandson of Liszt, are gaining recognition as important works in their own right, as this new recording of his thirteenth opera, Der Schmeid von Marienburg, shows.

A Sloppy Piece of Work? This is how Franz Lehr described what was certainly his most successful work after The Merry Widow immediately after its composition. Today we know, however, that this was a gross misjudgment. Or if it was sloppy, then sloppy in a genial way. It bubbles over with catchy melodies, and dramaturgically it is in any case certainly the master's finest operetta: Der Graf von Luxemburg (The Count of Luxembourg). When the theater next-door to cpo in Osnabrck had the Graf on its

Das Lied Von Der Glocke Jac van Steen - CD 761203713028

In 1929, Schreker was in the midst of a creative crisis: his publisher and the public had rejected his 2 most recent operas. The public demanded sensational successes like Krenek's Jonny spielt auf, and his publisher was pressuring him to produce a box-office hit. Instead of making concessions, Schreker decided to pursue a different path and set out on a quest to write music for an ideal, unspoiled public: The everyday man.